
# 1. The
Stieglitz-Steichen |
Our largest
room with foyer entrance, whirlpool
bath/shower, sitting area, four
poster mahogany queen bed, antique
writing desk, vintage dressers, hard
oak floors, and sofa pullout (sleeps
4)………..…$150
Edward Steichen was born in
Luxemburg in 1879 and was raised in
Milwaukee, Wisconsin. Steichen
submitted photographs to the
institute of Chicago for exhibition
and were accepted by a jury that
included Alfred Stieglitz. Stieglitz
was impressed with a photograph
entitled "The Pool," which he later
purchased and called "a
masterpiece." He later purchased
many pieces from Steichen, paying
him $50 to $100 in 1902.
Alfred Stieglitz founded the
Photo-Secession, a photographic
organization, in 1902, which
published a magazine, Camerawork,
and in 1905 opened a photo gallery
at 291 Fifth Avenue, NY. The
Gallery, which was referred to as
"291" was designed by Edward
Steichen and directed by Alfred
Stieglitz. Many photographers, most
notably Edward Steichen, Clarence
and Alvin White, Gertrude Kasebier,
John G. Bullock, and many others,
joined the Photo-Secession and
exhibited at "291." For the next
twelve years, photographs by its
members vied with paintings and
drawings by Matisse, Marin, Harlley,
Renoir, Cezanne, Manet, Picasso,
Braque, and O'Keefe.
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#2. The
Szarkowski |
White shutter
style bed, Bob Timberlake comforter,
large bathroom w/shower, and antique
curtains……$117
John Szarkowski has long been one of
the most compelling and influential
figures in the photography world. As
director of the photography
department at The Museum of Modern
Art since 1962, his exhibitions and
writings brought new prestige to
photography. He defined trends and
discovered important photographers
such as Diane Arbus and Garry
Winogrand, setting contemporary
photography on a track it would
maintain until the late 1970s.
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#3. The
Aperture |
Queen canopy
style bed, sofa pullout (sleeps 4)
large bathroom w/vanity, shower, and
antique dresser……….$140
Founded by Minor White in 1952,
Aperture, a periodical, provides
working photographers, teachers,
students, and intellectuals the
world
over with reviews of photo-related
books and exhibitions, articles
on current developments in
photography, and portfolios of
current work,
with a special emphasis on emerging
talents.
There are many fine issues available
for our guests to enjoy in the
library and several are on display
in The Aperture.
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#4. The
Cameron |
Queen bed,
vintage deco dresser in oak, and
tub/shower……...$117
Julia Margaret Cameron (1815-1879)
was endowed with a combination of
eccentricities, energy, and
inspiration that prompted her to
photograph great Victorian
personalities and enabled her to
reflect their spirit, power, and
character better than any
portraitist. She concentrated on
their heads, revealing their depth
of mind as she revealed her own
depth of feeling about them. It was
the soul of her subject she was
after.
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#5. The Brady |
Ginny Lind
style twin beds, quilts, antique
dresser, and tub/shower……………$117
To photograph the civil war was
Mathew Brady's ideal and it burned
fiercely in his heart. Brady took
many of his best men with him into
the field; by war's end he had
financed twenty teams which had
covered practically every major
engagement in every theater of war.
Each was equipped with a wagon of
photographic material which the
soldiers dubbed a "what-is-it"
wagon. Alexander Gardner and his son
James were with the army of the
Potomac; Timothy H. O'Sullivan was
at Gettysburg and Richmond, and
others were remembered with given
credit for pictures published after
the war.
It took great strength of purpose
and disregard of danger to coop
oneself up in a wagon which invited
a marksman's bullet, and prepare
glass plates in the semi-darkness
for cumbersome cameras like the 8x10
inch view camera. To slow to stop
action, Brady and his men trained
themselves to see and take grim
still-lifes that reflected the
action frozen in death.
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#6. The FSA |
Queen bed,
quilt, antique oak chair, small
dresser and shower……$117
Roy Stryker's, head of the Farm
Security Administration, objective
was to investigate and record the
human problems that beset millions
of people living on impoverished,
drought stricken land. He turned a
spotlight on the lowest third, the
third that President Roosevelt had
referred to as "ill-housed,
ill-clothed, and ill-fed." The FSA
existed for 8 years with more than
200,000 photos in its files.
Roy Stryker
inspired the photographers "to give
their fraction of a second's
exposure to the integrity of the
truth."
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#7. The F64 |
Queen bed,
Queen Ann dresser, octagon bath
window, antique chair, and
shower………..$117
The vision represented by group F/64
dominated serious photography during
the 1930s. The aesthetic beliefs of
Americans exhibiting at "Film and
Foto" were written up for the
official catalogue by Edward Weston.
Those beliefs were stark honesty in
the use of materials and equipment,
absolute control over composition
and tonal range, and reality so
keenly sensed and so meticulously
re-created that it was like seeing
the world for the first time.
Some of Weston's
followers and a newcomer, Ansel
Adams, who later gave these artistic
imperatives detailed, quantitative
expression, formed "Group F/64" to
promote Weston's vision of
photography.
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#8. The
Talbot/Daguerre |
Antique brass
queen bed, primitive armoire and
side table, retro 50's western
comforter, and shower……………….$110
Joseph Nicéphore Niepce, in 1822,
made the first photograph, a
permanent image. He called these
images caught in the camera obscura
"points de vue." In 1827, Niepce met
with affluent prosperous
Louise-Jacques-Mondé Daguerre,
twenty years his junior. They became
partners in 1829, after Daguerre
convinced Niepce not to publish his
process even though he felt he
couldn't improve it
any further. Daguerre's letter reads
"...there should be found a way to
get a large profit out of the
invention before publication, apart
from the honor you will receive."
Although Daguerre did not invent
photography, he did make it work,
made it popular, and made it his
own. Within a year after its
announcement in 1839, his name and
his process were known in all parts
of the world. Honors were showered
on him and wealth and security was
his. However, the name of Joseph
Nicéphore Niepce was practically
forgotten. Daguerre's principle of
development of mercury vapor was
original, a workable process based
undoubtedly on knowledge he gained
from Niepce. Niepce, however,
contributed nothing further to the
invention after 1829.
Daguerre's process could not be
multiplied or printed in unlimited
numbers, as positives can be from a
single negative; the
negative-positive principle of
photography was the invention of
Henry Fox Talbot. It was Talbot's
invention of a paper negative from
which multiple prints could be made
that became the foundation of modern
photography.
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#9. The
Eastman |
Wheelchair
accessible with oak floors and
private deck; Queen bed,
tub/shower……$130
Through continued
experiments, George Eastman
developed what he called "American
Film." Its greatest virtue was its
flexibility. A roll holder could be
fitted to any camera. In 1886,
Eastman designed and patented a box
camera with a standard roll holder
for 48 4x5 inch negatives, a
focusing lens, and shutter. A
perfect amateur camera was developed
and Eastman coined the word that has
been synonymous with "camera" ever
since -- "Kodak." It was George
Eastman's slogan, "you press the
button, we do the rest."
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#10. The
Magnum |
Two full beds
and sofa pullout (Sleeps 6)
exterior and interior
entrances,desk, shower, tile floor,
and braided rugs Children and pets
welcome…….$120
In 1947, Robert Capa, David Seymour
'Chim,' and Henry Cartier Brisson
co-founded Magnum Photos. Magnum is
owned as a co-operative by its
outstanding photographers, who
supply illustrated journals and
magazines of all the world with
single photos or complete picture
essays.
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